Materials & Engineering: A masterpiece of 1970s Italian functionalism, this 4D Series cabinet by Angelo Mangiarotti features expert interlocking joinery (no nails or screws). Crafted in premium solid walnut, it includes specialized internal compartments for spirits and glassware, ensuring both durability and technical elegance.
Versatility: This architectural unit is a perfect space-saving bar or a double-sided room divider. Its clean silhouette fits seamlessly into a Parisian pied-à-terre, a Berlin loft, or a New York City penthouse, offering high-capacity multilevel storage without compromising on minimalist aesthetics.
Styling & Sourcing Authentic Design 🔍 Where to buy vintage design in London or NYC? no problem we ships these rare Italian icons globally. How to style a Mangiarotti cabinet? Pair its geometric walnut grain with modern lighting to create a focal point in any Amsterdam or Milan inspired interior.
W.95 / D.48 / H.72 (cm)
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Shipping (front door at ground floor) from Italy warehouse to :
| ITALY 85 € |
1 week |
| EUROPE 175 € |
2 - 3 weeks |
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WORLDWIDE
(USA, UK, Swiss, Norway, Sweden, China, Korea etc..)
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request a quote |
Design History: The 4D Revolution
Angelo Mangiarotti: The Architect of Furniture
Angelo Mangiarotti (1921–2012) was a titan of Italian Modernism, famously described as an architect who designed furniture like buildings and buildings like sculptures. After collaborating with masters like Mies van der Rohe and Frank Lloyd Wright in the USA, Mangiarotti returned to Italy to redefine the relationship between material and structure. His philosophy was rooted in "rational honesty"—where the way a piece is built becomes its primary aesthetic feature.
The 4D Series for Molteni (1966–1970s)
Launched in the mid-1960s and produced into the 1970s, the 4D Series (designed between 1966 and 1969) represented a milestone for the renowned manufacturer Molteni&C. It was the brand’s first truly modular storage system, marking the transition from traditional cabinetry to flexible, architectural home organization.
Why "4D"? The name refers to the fact that these pieces are meticulously finished on all four sides. Unlike standard furniture designed to sit against a wall, 4D modules were intended to live in the center of a room as sculptural room dividers or freestanding "islands."
Engineering the Handle: One of the most recognizable features of the series is the integrated vertical groove. Rather than attaching hardware, Mangiarotti carved the handles directly into the walnut edges, creating a rhythmic, architectural "column" effect that conceals the functional purpose within the design.
Versatility & Mobility: Originally conceived as a modular system that could grow with the user, the inclusion of hidden casters reflects the 1970s shift toward dynamic, open-plan living.